Putting the Horse Before the Cart: Music Technology and John Hampton Edition

I’m a big fan of the recording magazine Tape Op. It has been around about a decade and is all about DIY music. They were maker before maker was cool. (Plus, the physical mag is beautiful and U.S. subscriptions are free!)

A couple of months ago, they ran an interview with John Hampton, Grammy winning engineer and producer of folks like Alex Chilton, the Gin Blossoms, The White Stripes, Travis Tritt, and Jimmy Vaughn. Musing on his experience of working as an engineer vs. a producer, he remarked:

I was driving home one day from work and heard “Honky Tonk Women” on the radio for the very first time. I heard that cowbell and then Charlie [Watts] come in – I pulled over and rocked out to the whole thing. When I started working here I got engineer ears; I started nitpicking everything. Slowly, but surely, the nitpicking became the captain of that ship. After working in the studio for a while I heard “Honky Tonk Women” again and I thought, “That sounds like crap.” I had engineer ears now. Then it hit me one day that I used to love that song and now I don’t like it. Has the song changed? I’ve changed, not the song. So I slowly started what turned into a ten-year venture. I turned that boat around, falling back in love with music instead of in love with technology and how it gets put together. The only way that I’ve been able to do that is by making what I do, the engineering part of it, so easy that I can do it with my eyes shut. Its all in the background.

That should be the goal, right? Do what you do, not what the gadgets let you do.

Focus on life, not on the tools you use to live it.

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